Nervous Conditions Unit

Objectives:

READING

R 3.2 Analyze the way in which the theme or meaning of a selection represents a view or comment on life, using textual evidence to support the claim.

R 3.7c. Evaluate the philosophical, political, religious, ethical, and social influences of the historical period that shaped the characters, plots, and, settings.

WRITING

W 1.6 Develop presentations by using clear research questions and creative and critical research strategies (e.g., field studies, oral histories, interviews, experiments, electronic sources).

W 2.2 Write responses to literature (Literary Response)
a. Demonstrate a comprehensive understanding of the significant ideas in works or passages.
b. Analyze the use of imagery, language, universal themes, and unique aspects of the text.
c. Support important ideas and viewpoints through accurate and detailed references to the text and to other works.
d. Demonstrate an understanding of the author's use of stylistic devices and an appreciation of the effects created.
e. Identify and assess the impact of perceived ambiguities, nuances, and complexities within the text.

Ms. Lum
2005-2006

Nervous Conditions

By: Tsitsi Dangarembga

Essential Questions:
What is the relationship between colonialism (power) and literature (education)?
How does the shift from assimilation and aculturation to cultural imperialism take place?

Group Questions:

 

1.jjjjjWhat is colonialism?

Missionary Activity in South Africa during the19th Century

2.jjjjjWhat historical events provide a background for 1960s
Rhodesia/Zimbabwe in the story?

 The Story of Africa: Africa and Europe 1800-1914

Africa Net: Zimbabwe History

3.jjjjjWhat aspects of Shona culture form a foundation for understanding the story in Nervous Conditions?

The Mbira Page: Shona Culture

Shona Religion and Beliefs

The Mbira Page:
Sadza ne Nyama: A Shona Staple Dish

4.jjjjjWhat information about the author, Tsitsi Dangarembga, is helpful to understanding the story in Nervous Conditions?

 ???

5.jjjjjFor 5th period only:
What can we learn about Shona culture through music?

The Music of Zimbabwe

Getting Ready to Read

Jigsaw Style for Background Information

  • In four groups, the class will answer the first four questions, with the exception of my 5th period.
  • Each member of the group researches on the website(s) and answers the question in detail
  • Then s/he meets back with the group to double check/streamline answers.

A.      What is colonialism?

1.  _______________           2. _______________ 3. _______________  4. _______________ 5. _______________

B.       What historical events provide a background for 1960s Rhodesia/Zimbabwe in the story?

1.  _______________           2. _______________ 3. _______________  4. _______________ 5. _______________

C.     What aspects of Shona culture form a foundation for understanding the story in Nervous Conditions?

1.  _______________           2. _______________ 3. _______________  4. _______________ 5. _______________

D.     What information about the author, Tsitsi Dangarembga, is helpful to understanding the story in Nervous Conditions?

1.  _______________           2. _______________ 3. _______________  4. _______________ 5. _______________

E.       For 5th period only:
What can we learn about Shona culture through music?

1.  _______________           2. _______________ 3. _______________  4. _______________ 5. _______________

  • Each group member is then reassigned to another group in which s/he teaches her/his answer to the question. 
  • At the end of the Jigsaw, everyone in the class has researched, spoken, and learned the background information helpful to understanding the book.

 

Character List  (From Spark Notes)

 

Babamukuru -  Tambu’s uncle. Babamukuru is the highly educated and successful headmaster of the mission school. A patriarchal and authoritarian figure, he uses his power and position to improve the lives of his extended family, but he does it out of duty, not love. He is a remote, cold, and distant father and takes no pains to hide his disappointment in and growing contempt for his daughter, Nyasha.

 

Chido -  Nyasha’s brother, son of Babamukuru and Maiguru. Chido is tall, athletic, and handsome, as well as charismatic, intelligent, and highly educated. He has little interest in his family or in visiting either the homestead or the mission. Educated mostly among white colonists, he grows accustomed to a life of luxury and eventually takes a white girlfriend.

 

Jeremiah -  Tambu’s father and Babamukuru’s brother. Jeremiah is naďve, ignorant, and superstitious. He seems barely concerned with the future and success of his children and grows increasingly detached from his family. In Babamukuru’s presence he is servile and fawning, lauding his siblings’ accomplishments. With his immediate family, however, he is disdainful of education and does little to encourage his children’s ambitions.

 

Lucia -  Ma’Shingayi’s sister. Lucia is a mysterious, strong-willed woman who is feared by many and said to be a witch. Shrewd and sexually promiscuous, Lucia is the object of gossip and rumor and is said to have had many affairs with rich men. She is outspoken and pays no heed to the social code that requires woman to be silent and obedient. She emerges as an independent and ambitious woman, eager to educate herself and improve her lot in life.

 

Maiguru -  Tambu’s aunt and Babamukuru’s wife. Maiguru is a strong, educated, and successful professional woman and thus stands out from the rest of the women in her family. Life in England has changed her, and she wants her children to act more Western. She later fears they have become too Anglicized. Gentle, conscientious, and caring, she accepts her passive role in her marriage and the sacrifices she must make to keep Babamukuru happy. Though she rebels and leaves him, she returns out of her sense of duty and her love for her family.

 

Ma’Shingayi -  Tambu’s mother. Initially, Ma’Shingayi is portrayed as a hardworking figure who has toiled and sacrificed so that her son can have an education. After Nhamo’s death, she grows spiteful, angry, and jealous of those around her. Her hard life also makes her apathetic and accepting of the limitations with which life has saddled her.

 

Netsai -  Tambu’s younger sister. Netsai is obedient and subservient, a kindhearted and hardworking girl who helps Nhamo and the rest of the family, not solely out of duty, but because she truly loves them.

 

Nhamo -  Tambu’s brother. Nhamo takes advantage of his status as the eldest son in the family. He is spiteful and mean and goes out of his way to taunt Tambu and lord over her the fact that he is receiving an education. After he leaves for the mission, he grows superior, lazy, and condescending, offering no assistance to his family in their daily toils.

 

Nyasha -  Tambu’s cousin, daughter of Babamukuru and Maiguru. Nyasha is silently observant with an often unsettling intensity. Though she can be precocious and charming, she does little to make the other girls at school like her. At times she is easily provoked, volatile, and strong-willed, and she likes to argue with and openly resist Babamukuru. She is a product of two worlds and grows increasingly confused of her identity and the hybrid influences of life in England and Rhodesia.

 

Takesure -  A cousin of Babamukuru and Jeremiah. After Nhamo’s death, Takesure is enlisted to help Jeremiah with the labors on the homestead. Like Jeremiah, he is lazy, foolish, and superstitious and abuses his power as a man. He has many wives, whom he cannot support. He impregnates Lucia and tries to make her his concubine.

 

Tambu -  The novel’s narrator and protagonist. An intelligent, hardworking, and curious fourteen-year-old girl, Tambu is hungry for an education and eager to escape life on the homestead. While she is sensitive and kind, she is also often harsh and unyielding in her judgments. Tambu is sympathetic to the powerful pull of tradition, but at the same time, she wishes to break free of the limitations placed on her sex.

 

 

As We Read

 

Chapter Questions to Help With Comprehension

 

 

Reading & Rest of the Year

 

Date

Reading

 

March 20- March 24: Into Jigsaw  Nigeria Could Feed Africa

Chapter 1

1: 1-12  (12)

Portfolio (ADV/IND)

March 27-March 31:

Chapter 2-3

2: 13-34; 3:35-57   (44)

Portfolio TH/F

April 3-April 7

Chapter 4, 5, 6

4: 58-76; 5: 77-102; 6: 103-119     (60)

Portfolio (ADV/IND)

April 10- April 14 (Spring Break)

Chapter 7

7: 120-148              (30)

Portfolio (IND)

April 17-April 21 WW

Chapter 8, 9

8: 149-175; 9: 176-190       (40)

Portfolio TH/F

April 24-April 28 WW

Chapter 10

10: 191-204          (15)

Portfolio (ADV/IND)

May 1-May 5 WW/GL

Beyond Activity

- Literary Essay Due May 12th

Portfolio

May 8-May 12 WW / GL

Portfolio Presentation Instructions/Review

Portfolio

May 15-May 19 WW / GL

Portfolio Presentation Instructions/Review

Portfolio

May 22- May 26 WW /GL

Portfolio Work

Final Exam

Portfolio

May30 – June 2  GL

 

Senior Finals

Portfolio Presentations

Soph/Jr Presentations

May 30 & 31

Portfolio Exhibit: June 1

Portfolio

June 5-9 GL

Grad Prep/Senior Activities

 

June 12 GL

 

Baccalaureate

 

June 13 GL

 

Graduation

 

 

After the Reading

 

1) Literary Essay

  • Literary Analysis of Dangarembga’s Use of Food As a Controlling Metaphor
  • Compare and Contrast Nyasha and Sisi
  • Essay About Dangarembga’s View of Colonialism and Its Application to America

 

2) Add to Noodlebib Reading List