ALTER-EGO POETRY PROJECT—Johnson 2007

 

OBJECTIVE: Choose a Contemporary American poet of your choice. The poet must still be alive. You are expected to become as familiar with this poet as you are an old friend. Through research and literary analysis you will be expected to create and present a project that includes the following pieces:

 

A. Poet Profile. Write a one paragraph profile of your poet. In this profile you should answer the following questions:

 

è    Who is this poet?   

è    What topics/subjects does the poet discuss and present in his or her poetry?

 

(You must include at least 7 interesting facts about this person’s life. The facts must be written or summarized in your own words!!!!)

____10 points—DUE 2/26

 

B. Stylistic Analysis. Choose one poem by your poet to stylistically analyze. Your stylistic analysis should be one paragraph long.

 

è    It should include a topic sentence that answers the question below:

 

What is the theme of this poem? In other words, what is the poem really about?

 

è    Prove your topic sentence with at least 3 CDS from the poem.

è    Support your argument with 3 CMS. Notice important words, figurative language, observations about sound, or line length.

è    Use at least 4 poetry vocabulary words in your paragraph. You must underline them.

                                    ____20 points—DUE 3/2

                                                                                     

C. Influence Poem. Write an original poem (20 lines in length) influenced by the poet you have researched. Here are some creative choices:

 

1. Write a poem that mimics the style of a poem by your alter-ego poet.

For example: Begin with the same first line or title. Or use 10 words that the poet used in your own poem about a similar topic.

2. Write a poem using a line by your poet as the epigraph.  

____10 points— DUE 3/2

 

D. Poem Memorization/Performance.  Memorize a poem written by your poet or memorize your influence poem (at least 20 lines of length). Prepare to recite this poem before a class audience.

 

____20 points—DUE3/9

 

TOTAL:_____60points

*More specific details for each project piece will be taught during class! Don’t be absent!!!

 

 

Alter-Ego Poet Research

 

1. To research a poet first go to:  www.mhslibrary.org

2. Click the heading:  Teacher Projects

3. Click the subheading under “Johnson” that reads: Contemporary American Poetry

 

When you reach this page, first, browse this website to find a poet of your choice!

Make sure the poet is still living.

 

The Academy of American Poets
Poets.org

*You may need to use other websites to do more intensive background research on your poet!!

 

 

ALTER-EGO POET PROJECT CALENDAR!!!

Feb

19-23

President’s

Day

Alter-Ego Poet Project

 

Choose poet in the LAB.

The poet must be living!!!

The poet must be found on poets.org.

 

Work on Poet Profile.

Choose poem for Style Analysis.

LAB

Feb

26-2

Finish Poet Profile.

Print poem for Style Analysis!

LAB

Style Analysis

Analyze poem in-class using vocabulary!

 

Influence poem.

Type Style Analysis and Influence Poem in LAB.

 

Homework: Choose poem to memorize. Practice 20 line memorization.

Mar

5-9

Practice reading poem in partners.

Poetry Tea Party

Share what you learned about your poet. Come as your poet!!!

 

Present!

½ class presents memorized poem!

 

Present!

½ class presents memorized poem!

 

Write reflections for portfolio.

 




 

I speak here of poetry as the revelation or distillation of experience, not the sterile word play that, too often, the white fathers distorted the word poetry to mean—in order to cover their desperate wish for imagination without insight.

                                                                                                                        Audre Lorde     

A poem is not a poptart.

—Martin Espada

 

Poetry is concerned with using with abusing, with losing with wanting, with denying with avoiding with adoring with replacing the noun.

—Gertrude Stein

 

Twentieth-century poetry has become garrulous. We are drowning not in a sea but in a swamp of words. We have forgotten that poetry is not in what words say but in what is said between them, that which appears fleetingly in pauses and silences. In the poetry workshops of universities there should be a required course for young poets:  learning to be silent. 

Octavio Paz

 

The poet is the priest of the invisible.

—Wallace Stevens