ALTER-EGO POETRY PROJECT—Johnson 2007

 

OBJECTIVE: Choose an American poet of your choice. You are expected to become as familiar with this poet as you are an old friend. Through research and literary analysis you will be expected to create and present a project that includes the following pieces:

 

A. Poet Profile. Write a 300 word profile on your poet. In this profile you should answer the following questions in-depth:

 

è    Who is this poet?  

è    What themes does the poet explore in his or her poetry?

 

(You must include at least 15 interesting facts about this person’s life. The facts must be written or summarized in your own words!!!!)

10 points—DUE Friday, 3/23

 

B. Stylistic Analysis. Choose one poem by your poet to stylistically analyze on 3/19. This will count as one of your timed essays for this 6 week marking period.

 

To prepare for the Monday timed essay:

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è    Print a copy of the poem.

è    Mark up the poem noticing the poet’s use of any of the following stylistic devices: diction, imagery, figurative language, sound, form, rhythm, and line.  Also, make notes on tone and theme. If you want to prepare your three part thesis, in advance, you may.

You may use your notes when you write the Monday essay!!!

 

The in-class timed essay on your poem should be 4-5 paragraphs in length. Use at least 6 poetry vocabulary words in your essay. The essay should have a three part thesis that answers this question:

How does the poet’s use of style contribute to the theme (or meaning) of the poem?

 

9 points for the persuasiveness of your essay.

6 points for using vocabulary correctly.

5 points for the strength of your three part thesis.

                                                           

20 points TOTAL—DUE Wednesday, 3/19

                                                                                     

 

C. Influence Poem.

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è     Write an original poem (20 lines in length) influenced by the poet you have researched.   *More details to come!

 

è    Write a one paragraph reflection, explaining the influence your poet had on your poem.

 

10 points— DUE Friday, 3/23

 


Extra Credit:

 

Poem Memorization/Performance.  Memorize a poem written by your poet or memorize your influence poem (at least 20 lines of length). Prepare to recite this poem before a class audience by Friday March, 23rd.  

 

15 Ex points—DUE 3/23

 

 

Alter-Ego Poet Research

 

1. To research a poet first go to:  www.mhslibrary.org

2. Click the heading:  Teacher Projects

3. Click the subheading under “Johnson” that reads: Modern American Poetry

 

When you reach this page, first, browse this website to find a poet of your choice!

 

The Academy of American Poets*
Poets.org


*You may need to use other websites to do more intensive background research on your poet!!


 

 

ALTER-EGO POET PROJECT CALENDAR!!!

 

 

 

March 16

 

Work on Part A and B.

  1. Choose a poet on poets.org
  2. Work on Poet Profile.
  3. Choose and print poem for Style Analysis.

 

LIBRARY –TIME FOR RESEARCH

March 19

 

40 minute Timed Essay on Poem of your Choice!

 

 

March 21

 

See example Influence Poems.

 

LAB TIME AVAILABLE-226

 

Write influence poem!!!

 

 

 

 

 

M arch 23

 

Poet Party Interviewing/Conversation

(Come as your poet! Share information about “yourself”.)

 

(Parts A & C---Must be turned in typed, printed, and stapled!)

 

Poem Memorization Presentations

Present influence poem or a poem by your poet.

(Not required! Extra Credit)

 



Quotes about Poetry:

 

I speak here of poetry as the revelation or distillation of experience, not the sterile word play that, too often, the white fathers distorted the word poetry to mean—in order to cover their desperate wish for imagination without insight.

                                                                                                                        Audre Lorde     

A poem is not a poptart.

—Martin Espada

 

Poetry is concerned with using with abusing, with losing with wanting, with denying with avoiding with adoring with replacing the noun.

—Gertrude Stein

 

Twentieth-century poetry has become garrulous. We are drowning not in a sea but in a swamp of words. We have forgotten that poetry is not in what words say but in what is said between them, that which appears fleetingly in pauses and silences. In the poetry workshops of universities there should be a required course for young poets:  learning to be silent. 

Octavio Paz

 

The poet is the priest of the invisible.

—Wallace Stevens